I need to get romantasy out of my head.
The problem is I now have to hear about it often at work.
I ended up going back and trying to read ACOTAR; it's surprisingly readable after Fourth Wing in the sense that it's better written. Still, I wouldn't recommend it unless you are actively into that genre.
More importantly, I am now firmly of the opinion this genre is isekai for adult western women. It is the exact same formula: Normal person, who is nonetheless ~special~, is taken elsewhere, given immense powers, and has a love interest completely devoted to them with little effort on their behalf. 100% wish-fulfillment fast food media.
The thing is, people never talk about Sword Art Online as if it's actually good literature. A portion of the fans of romantasy are aware that this is junk food and will say as such, but then I personally get to hear raving about Fourth Wing while I'm trying to not bury my face in my hands because I have lab gloves on and that would be a safety violation.
Although I'm perma-banned from the bookclub, they talk about it enough that I've picked up a lot of that.
For it's part, isekai quickly ended up devolving into parody, deconstruction, and absurd niche situations. I'm curious how something similar would look for romantasy, but the cravat there is the opposite gender roles make it more complicated.
As such-- It's fascinating to me how these two genres mirror each other in how they apply the gendered archetypes with the roles flipped. These roles are ancient: They go back not just to Beauty and the Beast, but ancient Greek mythology, with Cupid and Psyche, but particularly the story of Persephone and Hades which this crowd is particularly obsessed with. When I was a child, I was shown 7 brides for 7 brothers as fun, harmless movie, and that one is based of the rape of the Sabine Women, a Roman mythos repackaged for the 1950s.
I suspect this is this is not innate, but more like an Ouroboros eating it's own tail. These stories can be see as a reclamation by rewriting the emotional stakes and focusing on female desire rather than only her subjugation. These are often stories which are strictly patriarchal, with Beauty and the Beast being written to prepare women for arranged marriages.
I fear it could almost reinforce the idea some regressionists have that women want to be controlled and will automatically fall for many with a chiseled jawline and a dominant aura. There seems to be little actual evidence that is what women desire in reality; for one, numerous people do not find these stories appealing at all. My assumption is this is due to the lifetime, if not centuries, of romanticization of captivity media. Often in these, the heroine holds
his heart hostage in return, being the only individual he confides in. Sometimes, she can even be his "weakness," as having bonds wcan be framed as something for an antagonist to exploit if she gets captured
again and used against him. This gives her an intimate power on top of her active powers she's usually granted magically. Still, this is always done within the context of script written by her captor, or more accurately, these ancient archetypes.
And none of that is inherently wrong. It’s fantasy, and honestly, partially just porn. It's a medium that allows for the exploration of these themes in a safe place, and what is embraced in fiction can be vastly different from real life. Presumably, most readers can separate these two concepts.
Still, these are often written poorly while being promoted in every bookstore and library out there. I went to check out a book from the library, and a pile of Maas books were stacked next to the self-checkout machines for people to grab on their way out. Many of the non-Maas romantasy stories seem to be inspired of the men ACOTAR, and thus, the Ouroboros continues to devour itself.
This makes me hungry for a deconstruction, but at the same time, it would be need to strike at the heart of these concepts.
And so, just an attempt to try to map it onto what isekai has done:
( This is honestly just rambling at this point )For it's own part, ACOTAR deserves it's own section here:
The plot of the first book is seriously Beauty and the Beast with more masks and less fur, there's even a curse Tamlin is under that he must fall in love with a human woman or be doomed.
However, the execution is maddening. Instead of telling her any of this, they devise a whole plot involving making her think she's being held for a crime she committed against fae kind. She's a bit of a dumbass, so she never questions why she's getting better treatment than the lower fae servants despite being a prisoner. Or way, for her crimes, she's living in a luxury suit and eating dinner with the high fae.
The hilarious part is the twist is that it's not true love magic in the fairytale sense, so
all of that was pointless! It's instead literal trials of love, administrated by a malevolent fae queen. For some reason, whenever the heroine fails one of them, it's Tamlin's emissary Lucien, not Tamlin himself, who gets tortured. By that I mean he's literally physically tortured, because sure, why not!
As there's no magic love involved, they could've devised a plan where they didn't even need her to actually fall in love. Lucien - as he's the only standout character in this and deserves better - could've been teaching her how to
act so they could pull off fooling the whole thing. The plot could've been sabotage and gathering information on how to pass the trials considering the stakes are "or else the whole Spring Court is doomed to be my slaves for eternity." There's a different type of subversion!
Honestly would've been hilarious if, in the core plot, she feel in love with Lucien since he's normally the one actually helping her and literally bleeding here anyway. All of that plotting and withholding information, and so she falls for the assistant! It's kind of crazy that didn't happen to begin with, but then, Lucien is allowed to be funny, something forbidden by these love interests for whatever reason.
Also, guess how many female fae of note there are in this book? Just the main antagonist!
Sure, there's a random servant woman, but she has no real role in the plot. Hm. Empowerment!
All that aside, I will say Fourth Wing is the tamest of all of these I've read, as Xaden (Xader? Xmen? Xanax? I can't be bothered) still has that controlling edge, but it's far less severe in comparison. Also, she's not kidnapped by him.